Rather than celebrate the 20th anniversary of her breakthrough single, Monica declares a Code Redorder on the commercial airwaves that have squeezed out soul-rooted R&B. The first song on her seventh U.S. album is the title track, a scuttling assault produced by Polow and assisted by Missy Elliott, which involves the protest "Turn off the radio, damn right/We don't hear real shit no mo'." [...]